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Runtime
123m 31s
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3:18
07Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: "The soft cozy edge" (Bubble 4)3:4908Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: "I will describe this strange Landscape"2:1109Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: "The language of the 5th Dimension"6:4410Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: Microscopico, Flamboyant1:5111Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane V: "This pull, this Tug"5:4112Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane V: Electronic Interlude4:2613Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane V: Scuro / "As I travel Away"2:3814Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane VI: "How to open up your World?"5:2915Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane VII: "Discordant Phenomena"8:2101Interview with Lisa Randall & Hèctor Parra: Lisa Randall on major questions concerning physical theories of the 20th century. Poss3:0902Interview with Lisa Randall & Hèctor Parra: The models "Randall-Sundrum 1 and 2" presented by Lisa Randall: 5 dimensional theories11:0203Interview with Lisa Randall & Hèctor Parra: Lisa Randall on Stephen Hawking0:5004Interview with Lisa Randall & Hèctor Parra: Music and Physics - The first contacts between Lisa Randall and Hector Parra: Initial6:5005Interview with Lisa Randall & Hèctor Parra: Working Together4:3406Interview with Lisa Randall & Hèctor Parra: Developing new sounding Material6:3707Interview with Lisa Randall & Hèctor Parra: Hector Parra talks about how this 5th dimension would sound: Live electronics and thei11:2508Interview with Lisa Randall & Hèctor Parra: Impacts, influences and Intentions9:2409Interview with Lisa Randall & Hèctor Parra: Working with the artist Matthew Ritchie3:5410Interview with Lisa Randall & Hèctor Parra: Future projects in the fields of physics and Music2:21